Acting
The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.
A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!
Saxony, devastated by the Thirty Years' War, is led by the comedy troupe of the principal Fortunato. The student Vavrinec has fled Bohemia and greatly values the text of Shakespeare's tragedy Romeo and Juliet, which he has acquired on his wanderings around the world.
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A gloomy tale about a king whose pride robbed him of love, friends and power. A cruel curse is at the beginning of the story of this fairy tale based on an old Irish legend. Until the king's newly born son raises his sword against his father, there will be no spring in the Hawk Kingdom. Although the king orders the counselor Ordon to kill the child, the nurse saves him and entrusts the child to the care of a bird. He names him Christopher and raises him together with his son Janko. Twenty years later, the king succumbs to Ordon's urging to war with the neighbouring King Ubald. It is in this war that the curse is fulfilled and the tragic fate of the new king, who cannot listen to the right mouth, begins to unfold.
