Angelo Pignaton

On a Wednesday morning, Suiá, a 19-year-old transgender woman, and Rai, an 18-year-old cisgender woman, embark on the journey of preparing the Amalá ritual. After the ritual, they go home together. As they get home, a passionate kiss triggers insecurities in Rai that shakes Suiá. In the next morning, Rai returns determined to make things right.

In a diatopic and retro-futuristic Brazil, time has passed and technology has lost credibility. With the return of Papelada, João is hired to be the sole employee of an organization whose real objectives he does not know.

Victor and João were in love with each other as teenagers, but didn’t really know it. Reunited by chance six years later, they’ll spend one night together to find out what has changed and where they’ll go from now.

A traveler and a narrator in the post-apocalypse; they narrate an abandoned city as we arrive at a destroyed landscape and understand what happened to this small city.

Dad goes birdwatching. His son then decides to follow and film him.

Alone, during Christmas morning, Leah has an encounter with the ghosts of her past and her family traumas.

Inside a socio-educational detention unit, five youths in conflict with the law plan their own film as a way to find meaning in their time behind bars. Through a hybrid process that blends documentary and fiction, TWENTY TWENTY FOUR dissolves the reality of juvenile crime and confinement into a sensory experience—exploring rebellion, boredom, and traces of tenderness within a space defined by abandonment.