Lucila Mingrone

After receiving a significant settlement following a workplace accident, Pablo decides to invest all the money he had promised to use for building a new life with his girlfriend, Victoria, into a business he knows little about. Together, they must deal with the consequences of this impulsive decision.

"What other job involves loving someone?" Through the perspective of three nannies, we will observe the dynamics that occur within homes during work hours. And through interviews with these nannies and others, we will delve into their dreams and notes in their diaries that refer to the children they care for, for different reasons, and that show how these kids are inevitably present not only during working hours but are also a part of the caregivers' lives.

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Tirsa, Elián, Teo, and Avril are imprisoned in a boarded-up house. In just a few minutes, their sentences will finally end. However, a call reminds them of the rules for getting out. The appearance of an external presence will put freedom at risk.

During the 90s, Daniel Brusca was a successful businessman. As the owner of a taxi company, he was surrounded by the world of Argentine show business and politics, and he emerged victorious in trotting races. 30 years later, he still pursues glory while constantly remembering, in every space and object, what he used to be.

After weeks without rain, Milagros and Rocío stumble upon a mysterious red arch and a flowing stream. Convinced they've found their salvation, they decide to take the water home. But their grandmother orders them to return it, warning that the place they discovered will awaken an ancient curse. Now, they must decide whether to obey her and endure the drought or defy the warning and face the consequences.

Favio Navoni was a disruptive photographer who could capture his art anywhere. But at the peak of his youth, he broke, and was never able to be the same again. His family tells us who he was and what it is like to live today with the absence of someone who was once so full of life.