Directing
A grandmother, a mother and her little girl meet at an oriental restaurant to negotiate the girl's transfer to a better school. Because they didn't manage to get the floating act, the grandmother calls her friend from a prestigious school to find out what the transfer possibilities are. After the phone call, the two women have to choose between a disability act, through which the niece will have to simulate a disability, or an ethnicity act which, as a consequence, will lead to the expulsion of a Roma child. Despite the grotesque bargain, the women end their lunch with a Turkish dessert
It's year 0 of the pandemic. A young Roma father, Zoro, accompanied by his loyal companion, the horse Miguel, embarks on a transformative journey to the city to meet his newborn son for the very first time. In the challenges encountered on his way, his only weapons are his phone and the love he holds for his son.
Nelu works at a pawn shop, and Ilinca is employed at a travel agency in the same busy intersection. Their daily routine includes having a quick lunch together while making various life plans.
Phoebe, a kind homeless woman, and Olivia, a queer heartbroken student, find themselves on a late Friday night in a diner having conversations about values, personal experiences and apocalyptic possible ways for the world to end.
A young mother raises her son alone, supporting him by working at the village pub. The tender and close relationship between the two largely compensates for the fact that they have difficulty managing money, and Andrei tries at every opportunity to cheer up his mother. In the absence of his father, the boy idealizes any male figure who comes into contact with his mother, be it the pub owner Ilie or the policeman Gică.
