Gérard Mordillat

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

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Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.

A bombing raid makes travelling companions of a blind man, Fernand, and Antoine, a criminal. Fernand is a virgin and is depending on his new friend to find him a woman. But to Antoine, on the run, his fellow victim is more a burden than a boon.

Stumbling across an uncompleted 1939 film called "Princess Marushka", filmmaker Sam becomes intrigued with the young actor Sylvain Marceau, who last appeared in the film. Hoping to discover the mystery behind Sylvain's disappearance, Sam decides to make a documentary and sets off to interview those who knew Sylvain, including elderly Lisa Morain. Through her interview, Sam learns the story of Lisa and Sylvain's doomed love affair on the eve of World War II.

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A student demonstration in Paris leads to an unexpected reunion between two childhood friends.

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Jesus of Nazareth, the founding figure of Christianity, is also an exceptional character in the Koran. Why? In what way? A deep investigation around the world exploring the rise of Islam during the time of prophet Muhammad.

Long live the strike! Lucie Baud, one of the pioneers of the women's movement, went with creativity, fighting spirit and the power of singing against the weapons of male-dominated capitalist society in nineteenth-century France. The film, based on true events, describes the ambitious fight of a silk moth. She stood up for the rights of the female working class to end maltreatment and oppression once and for all. For the revolution in women's rights, she even put her family back and fought to the end for their beliefs.

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Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

The epic story of the emergence of Christianity in just over a century, from the death of Jesus of Nazareth, around the year 30, to the moment when the leaders and followers of the new faith, already scattered throughout the eastern Mediterranean, from Jerusalem to Rome, are definitely moving away from Judaism, around the year 150.

Madeleine is with her lover, Jean-Paul, when her husband arrives home and catches the two together. Madeleine kills her husband and tells Jean-Paul to flee before the police arrive. After Jean-Paul drives away, he picks up a hitchhiker. When the car, stolen by the hitchhiker, explodes, police believe the dead hitchhiker is Jean-Paul. Madeleine takes up with Jean-Paul's brother, Bastien, while Jean-Paul, arriving in Strasbourg, is mistaken for the heir to a fortune. The detective on the case spends more time writing crime novels than investigating real-life crimes.

A large family crams into a three-room flat in a drab suburb.Twelve people ,soon joined,out of the blue, by the prodigal son, released from jail.To make matters worse,the TV set , then the sofa and finally the refrigerator vanish into thin air.Neverthelesss, life goes on ,with mom's nervous breakdowns , dad's absences ;The daughter, Julie, an abandoned social worker,is always sobbing ; her sister , rehearsing the "Hebrew slaves chorus" is eagerly waiting for her drafted fiancee.

In Montelimar, four young women whom life has not spared want to emerge from mediocrity. They decide to rob a bank, but everything is not so simple and the perfectly developed heist could turn into disaster.

The documentary series "Travail, salaire, profit" (work, salary, profit) takes us into the mysteries of the global economy, which is often too opaque to grasp all the ins and outs. Gérard Mordillat and Bertrand Rothé interview 21 researchers from around the world - economists, sociologists, historians, anthropologists, philosophers - on the fundamental concepts of the economy: work, employment, wages, capital, profit and the market.

Three programs made on the basis of material gathered for the documentary His Master's Voice, where twelve CEOs of large French companies face the camera and talk about power, hierarchy, trade unions, strikes and self-management: Secrets About the Worker; A Spanner in the Works and The Battle Started at Landerneau. The three parts were banned from French national television (Antenne 2) but released at Cinéma La Clef in Paris a few weeks later.

Several boys aged seven to fourteen, have formed their own secret support group as a result of parental neglect and abuse. The group is however more keen on revenge against the adults on their island. They break into houses and steal items, not for money, more for the thrill. They vandalize homes and torment the occupants. One man decides to seize the opportunity to do away with his wife and blame it on the intruders.

Gérard Mordillat and Christophe Clerc interview 14 researchers from different countries and cultures about the notion of property. Where does it come from? How does it apply today to issues of the body, intelligence, and nature?