Belén Altamirano

An anonymous hotel is the location where thirteen completely different and independent stories take place.

After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.

Second feature film from the Higher Institute of Cinema and Audiovisual Arts (ISCAA).

Carlos is a commissioner who is separating from his young wife Carolina, who is having an affair with Gómez, a police officer who is under Carlos' orders. He finds out, and plans to murder his wife and her lover.

Complete concert of the rock opera "INDIO", written by Horacio Bidarra and Miguel Bertolino. 04/25/2014 - Municipal Theater May 1, Santa Fe, Argentina

"Palabras degolladas. Alfonsina Storni en Coronda" is a documentary unit that tells the story of poet Alfonsina Storni's brief stay in the city of Coronda, Santa Fe, where she studied and earned her teaching degree. The film uses this event as an excuse to recount a before and after: what Alfonsina Storni meant as a woman in the society of the time she lived in Coronda, before establishing herself as a renowned poet, and what happened after her departure. Her figure as a woman and artist. What she represents both for the people of Coronda and for Argentine society in general. It brings into play the legacy of her work, her thinking, her status as a woman, and the fact that she has influenced the inhabitants of this city to this day. It features testimonies from different perspectives: historians, intellectuals, as well as citizens of Coronda.

No description available.

A frustrated film director attempts to film a modern depiction of the trial of Christ, struggling with all kinds of problems and difficulties.

After seven years, Laura returns to her hometown due to the death of her father. As the days pass, his death becomes uncertain. She also discovers betrayals and hidden truths that force her to leave.

A version of El Estatola del Campo's poetic Faust of the Poet (1886) integrates the major trilogy of Argentine gaucho poetry, is proposed here in a faithful version and integral.