Ali Majidzadeh

In a Kurdish village in the mountains of Iran, Kak Saee is busy filming the local life and traditions with his old video camera. Unlike the other villagers, a mysterious old folk singer stubbornly avoids being part of the project.

An old man is collecting the bodies of the dead in the fighting between the local parties and believes that everyone is the same and fighting for the same purpose.

Through rich imagery and emotional symbolism, the film explores Kurdish identity, hope, and struggle. portraying life as both resistance and renewal. Despite its brevity, Zrian carries the depth and artistic sensitivity that later defined Karimi’s documentaries, blending realism and metaphor to reveal the unseen boundaries of life in Kurdistan