Gerardo Pranteda

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Víctor, a reclusive, obsessive man, moves to an apartment in impeccable state. During his first night there, a damp stain appears on his room’s immaculate roof. The stain begins to grow until it’s everywhere.

Four great Argentine plastic artists decide to experiment on a canvas in a way that has rarely been done: painting with four hands. "Yuyo" Noé and Eduardo Stupía, on one side; Guillermo Roux and Carlos Alonso, from the other.