Yazan Al Sayed

A historical saga about the second caliph and Commander of the Faithful Omar Bin Al-Khattab and his pivotal role in the Islamic State.

Early 20th-century Damascus, under the shadow of the Ottoman Empire. The Al-Safi family has ruled the tobacco trade with an iron fist for generations — until a cunning outsider named Joudad arrives, driven by ambition and a personal score to settle. What begins as a commercial rivalry quickly becomes a blood feud touching power, money and revenge. A sharp, atmospheric Syrian period drama starring Maxim Khalil and Fayez Kazak, praised for its layered performances and fresh take on Damascene historical drama.

A mysterious murder takes place in a village near Damascus called Mafraq. Then an investigation begins to search for the perpetrator among members of two families living in the village. The investigations reveal shocking and unexpected secrets and details.

The show follows the story of a small community whose homes are threatened by a powerful real estate company planning to demolish the area and build a luxury project. A young woman, Haya, becomes the voice of the residents as she tries to defend their rights. In the process, she gets caught in a complicated love triangle between two men on opposite sides of the conflict.

The series tackles a number of negative contemporary social phenomena, shedding light on the challenges encountered by young people, like violence against children, poverty, homelessness, begging, slave trade, motherhood, family disintegration, and honor crimes.

The events take place in the 1940s, after Nouri leaves prison, a major conflict arises between him and Abu Adnan, coinciding with the assassination of the doctor, Abdul Rahman Al Shahbandar.

Qusai and Rola have survived their first year of marriage — the butterflies, the surprises, the getting-to-know-you moments. Now comes year two, and it turns out that's where things get real. Suddenly it's less romance and more bills, arguments, nosy neighbours and the kind of everyday chaos nobody warned them about. A charming and very relatable Syrian comedy about what love actually looks like after the wedding.

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A social drama that shows how contradictory qualities can bring people together, and how the Levantine society witnesses manifestations of love, hatred, violence, possessiveness and domineering control of the weak. But a reckoning is coming for everyone

Sanaa and her colleague Sarab escape from the mental hospital. Sarab meets a fortune teller, who predicts that everyone with her in the car will die. The doctor Ibrahim and the lawyer Hazem overhear her, and Sanaa’s story and what happened to her and Sarab gradually unfold.

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The film talks about the pain hidden in the corners of the soul and the psychological breakdowns that accumulate day after day, fold upon fold, forming a heavy weight on the heart. They are small details related to the partner sometimes and to work and life circumstances other times, so a person becomes in need of confiding in order to purify his heart and soul and hear some of his groans for the one who is supposed to be his warm embrace, like a child who takes refuge in the arms of his parents after they had abused or become angry with him. Confession is a highly sincere emotional state and its whisper is like a stifled, choked scream. It is a film that talks about the simple cracks that, when they increase, threaten the relationship with the partner and warn of its collapse. It is a social film that moves between the depths of hearts, shedding light on those pains hidden within each of us.