Paulo Mendes

The story begins with the ambiguous relationship between friends Viola and Luma, who seem predestined to literally enter each other's lives. Born on the same day, in very different situations, they meet years later, united by coincidences that go beyond their birthday. From humble origins, Viola moves with her boyfriend Mavi to Angra dos Reis, where Luma lives a luxurious life and dates Rudá, who ends up meeting Viola by chance. Thus begins the duo's journey, which goes from a passion for recipes to an obsession with the same man, from the immediate connection to the point of starting to live their friend’s reality, 10 years later. A journey divided between complicity and rivalry, which includes them in a love quadrangle and is impacted by a series of circumstances, twists and surprises, such as the secret surrounding a murder.

Gerluce became pregnant as a teenager and, just like her mother, Lígia, she raised her child alone. Now, Gerluce watches her daughter Joélly become the third generation of the family to go through the same situation. Besides the impact that teenage pregnancy brings to the whole family, the three Marias das Graças must deal with Lígia’s worsening health.

A story about love and its different manifestations, told through the little boy Marcelino in search of his biggest dream: to meet his mother. Inspired by a famous book, the plot takes place in the 1940s.

In imperial Brazil, a young woman stripped of her reputation is forced into exile from polite society. Recasting herself as Madam Beja, she builds an elite pleasure house that becomes a hub of political intrigue, economic power, and forbidden desire, using charm, intelligence, and ruthless strategy to bend the same men and institutions that once destroyed her.

Two neighboring couples are shocked after their teenage children's fight, with absurd consequences. What could be a common misunderstanding grows and reveals the limits and influence of parents in raising children.

In the South Zone of Rio de Janeiro, far from the favelas, Bento and Carol, part of Rio's upper class youth, involve themselves in drug traffic and robbery. White privilege can only protect them to a certain extent.

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