Jane Leung Chi-Tung

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

In the pitch-black night, a thread of light slowly appeared on the horizon, reflecting shimmering patterns on the waves; it was the dawn wandering and drifting across the ocean, illuminating the path for sailors returning home. Before navigation systems existed, those who went to sea relied on lighthouses to recognize each coastline. By the frequency of a lighthouse's flashing, sailors knew land was nearby, and home was not far away. With a glance, they could tell the direction of home. The lighthouse has stood on the island for over a hundred years, always lighting the way for those returning. To the wanderers far away, and to the lighthouse guiding the way by the shore.

There are people and places that we used to hold dear in our hearts and gradually became sediments of buried memories. When Charlotte encounters a suitcase at the second hand shop she works at, her emotions are unearthed and bring her back to the days of innocence with Chan. Charlotte did believe that Chan, just like the neighbourhood in bygone times, would remain constant. Yet all old things are helplessly abandoned and crushed beneath the wheel of time. At the same time, Ling is depressed and lonely because of Chan's death. Sending Chan's things away to purge her negative emotions and to set herself free from the past, a treasured relationship reveals itself like ripples of emotions.

The film is based on the Founder of Causeway Bay Books - LAM Wing-kee’s experience after he was temporarily released back to Hong Kong after 8 months of detention in Mainland China. LAM was demanded by the authorities to retrieve his computer in the bookstore in Hong Kong, alongside with the information of his customers. Only when he found out that his colleague handed over to him the wrong computer, should he start to think about possibilities besides submitting to authorities from Mainland China. The film re-enacts the events happened in the two days he was allowed to return to Hong Kong and explores LAM’s decision to defy, and refuse to leave his homeland.

It was the time when thousands of families left Hong Kong to look for a ‘better future’. After almost 20 years of separation, here comes the reunion dinner for a father and his daughter. The awkward distance between the two make them seem like strangers, but deep in their hearts hide their missing for each other. Memories intertwined with the present, both of them know that what really matters is your beloved ones are all well.

Music is the common language that draws people together. Johann Bach’s Goldberg Variations brings the two lonely and unrelated people in the film - an inconspicuous mid-aged man Joe and a once popular actress Shu closer. A subtle and occasional encounter takes place in the remote country side where Joe is the night shift storekeeper and Shu goes to the area for shooting. When Joe plays this particular work of Bach, Shu is touched and shares with him her miserable life experiences. He feels that there is a bonding between them until he attempts to explore more into this illusive “relationship”.

Hong Kong figure skater Wing-yee travels to Toronto alone for advanced training, aspiring to compete on the international stage. Despite the warm welcome and encouragement she receives there, very soon Win-yee faces setbacks and realises she is falling behind her peers. It is the friendship and support of warm-hearted Christy that eventually helps Wing-yee through her initial confusion and self-doubt, and she gradually develops a fondness for this beautiful roommate. Filmed between wintry Canada and mild Hong Kong, the short offers a poetic tale of two cities, about young passion, loss, and loneliness.