Diego Romero

Cara Romero's contemporary fine art photography captures Indigenous and non-Indigenous cultural memory, collective history, and lived experiences from an Indigenous female perspective.

A newly arrived immigrant from the countryside to the Urubamba district (José Luis) has until the end of the day to get 500 soles to pay off loan sharks who have threatened him. Without contacts or help, he wanders the streets looking for temporary jobs, trapped in a recurring cycle.