Acting
A corrupt landlord secretly smuggles gold as the police get desperate to find the culprit. However, the landlord is unaware that someone close to him is planning to expose his criminal activities.
Prabhakar, a cop, is murdered. A clue left by him leads his father to his lookalike Ranga. Ranga then trains to avenge Prabhakar's murder.
Movie starring Vishnuvardhan, Manjula Devi, K S Ashwath and is directed by T R Ramanna.
When forest officer Kumar protects natural resources from poachers, their boss, Anand, becomes his main rival. But little does Kumar know that Anand is his brother.
At his detective wife's request, a young man joins a boxing club to find out about the illegal activities carried out by the head of the establishment.
Chengumani is commander-in-chief in the 18th-century Coorg region of present-day Karnataka. He becomes the king's commander-in-chief after saving his life, but his life gets complicated when he falls in love with Poovi and marries her in disguise. The movie was dubbed in Telugu as Prachanda Bheri. This was also Rajkumar's first cinemascope movie.
Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.
Mohan is abandoned by his father after his mother's death. Several years later, his life changes when he comes face-to-face with his father, who is now a murderer.
Nakkare Ade Swarga is a 1967 Indian Kannada-language film, directed by M. R. Vittal and produced by Srikanth Nahatha and Srikanth Patel. The film stars Narasimharaju, along with Jayanthi, Shailashree, Jr. Revathi and Thara. The film has a musical score by M. Ranga Rao. This film introduced singer S. P. Balasubrahmanyam to the Kannada film industry.
A rich woman hires a poor man to pose as her boyfriend in order to evade marriage. However, things get complicated when she falls in love with him.
Dhana Pishachi is a 1967 Indian Kannada-language film directed and produced by S. N. Singh. The film stars Sampath, K. S. Ashwath, Dikki Madhavarao and Kalpana. The film has musical score by Satyam
Due to her mother's disapproval, Usha has to leave her lover and get married to a man she does not love. However, fate brings the estranged lovers face to face again. The film is based on the short story Naanu Neenu Jodi by A. R. Anand.
Vasantha, a feminist, is promised her ancestral inheritance only if she gets married. In order to secure her riches so that she can help women in distress, she hatches a plan.
The movie is about a reporter who concocts a false case so as to get himself convicted for first degree murder so that he can prove that the death sentence can be given based on circumstantial evidence and that it be done away with. However, by the time he is out of the prison proving his innocence, his father is falsely arrested in another murder case and is awarded a death penalty!
A scheming young man hatches a sinister conspiracy to infiltrate his doppelganger's household and usurp the latter's family inheritance.
Orphaned as an infant, Ranga (played by Rajkumar) is brought up by his distant relative Chandrashekhar Rao Bahadur (Sampath) and his compassionate wife Parvathi (M Jayashree). Life takes a cruel turn for Chandrashekhar Rao when he loses all his wealth in share market. His daughter's marriage is called off, his sons attitude change and he is forced to send Ranga and Lakshmi out. How Ranga sets right the turmoil in the family and reunites them forms rest of the story.
Sridar abandons his family and marries Mohini, the daughter of a rich business tycoon. However, Sridar's father, who meets with an accident, wishes to reunite with his son before dying.
The film starred Rajkumar and Bharathi Vishnuvardhan. It had Balakrishna, K. S. Ashwath and Sampath playing supporting roles. The film, along with Mooruvare Vajragalu (1973), was Rajkumar's last movie in black-and-white. However, this movie had a few sequences shot in colour. This was also the last film where Rajkumar and Bharathi were seen together. This was also Rajkumar's last collaboration with Siddalingaiah. The film is seen as a landmark in the career of Siddalingaiah.The movie saw a theatrical run of 25 weeks.
Bhakta Kumbara is a 1974 Indian Kannada biographical film, directed by Hunsur Krishnamurthy and produced by N R Anuradha Devi. The film stars Rajkumar, Leelavati and Balkrishna in lead roles. The film had a musical score by G.K. Venkatesh. Actress Sridevi essayed the role of Muktha Bai (as a child artist), thereby the latter making her Kannada film debut. The movie is based on the life of Gora Kumbhar, a potter turned into a saint who lived in the 13th and 14th centuries in Teredoki village. He supposedly lost his child while curing the clay by his legs for making pots, because he did not notice his child fumbling under his feet as he immersed himself in chanting the name of God. He was called Saint Gora Kumbara by the people of Maharashtra.
A tutor hired by a wealthy family witnesses a murder, while travelling by a train. She faces a dilemma when she realizes that the murderer is the patriarch of the family she has been hired by.
