Acting
No description available.
Gina Falcone and Marcelo Ricciardi are in love; however, fate—and her brother, who disapproves of the union—ultimately tear them apart. Unaware that Gina is carrying his child, Marcelo enters into a marriage arranged by his father to a woman named Elsa. While in hiding at a convent, Gina gives birth to a daughter and names her Fiamma. However, the Mother Superior suggests she hand the child over to the father, and Gina, in the throes of a feverish delirium, agrees. Marcelo marries, and after recovering from pneumonia, Gina retreats to another convent, where she takes her vows and assumes the name Sister Piedad. Years later, Gina learns the whereabouts of her daughter and of Marcelo—now a widower with another daughter named Virginia. She then becomes "The Strange Lady" (*La Extraña Dama*), a mysterious woman who, at the end of each day, sheds her habit to visit her daughter and the man she has never stopped loving.
Victoria directs and acts a short film playing herself. While fiction is mixed with memories of her scars, she realizes that she doesn’t have the courage to recreate her most important wound.
Rodrigo lives in Córdoba. He runs and manages his dad's cabins for tourists. Summer is around the corner. One day he meets seventeen year old Juan, who has just arrived into town all the way from Buenos Aires.
Set amidst a backdrop of political unrest and oppression in Argentina following the coup of the late 1980s, this impressive drama dwells upon a May-December love affair between a boy and a woman suspected of political subversion. When seventeen-year-old Pedro defiantly befriends political fugitive Sofia and provides her shelter, he creates a deep rift between himself, his family and his friends. Sofia is hunted because she was at one time in love with a Communist sympathizer. At first the relationship is purely platonic as Pedro helps her recover from a 23-day long flight that has left Sofia weak and starving for sleep. But as time passes, Pedro becomes increasingly involved with her and his schoolwork begins to suffer. Gradually he falls in love with her and she with him. But as the political situation grows more oppressive and the government steps up its search for subversives, the two begin making desperate plans to flee the country.
Mama Cora, who is almost eighty years old, has three sons and a daughter. She lives with one of them, who has serious financial problems. The family meets one day to celebrate an anniversary meal, and that is when the problem arises: which of them will take care of her?
Set in 1930, a tormented man and his butler live in an old house in Adrogué, where pornographic films are filmed in the basement following the grandfather’s testament.
After a brutal car accident, a young man falls into a coma and is left to be looked after by a doctor who suffers in his personal life and commits himself fully to save his patient.
Though he is near death, blind Rene, an elderly Italian-French intellectual, continues to make his annual conference abroad accompanied by his self-centered loyal, beautiful assistant Sibilla who may or may not be his lover. Rene's domineering mother strongly disapproves of Sibilla and his continual galavanting, but Rene disregards her and goes anyway. While in Spain, Sibilla falls for a handsome young toreador who also captures the interest of Rene, though it is hard to say whether his feelings for the bullfighter are fatherly or more romantic. It is also unclear as to whether Sibilla and the bullfighter are lovers either. Thus an enigmatic romantic triangle forms until Rene and Sibilla suddenly decide to wed. The character of Rene seems to be closely patterned after Argentine writer Jorge Luis Borges.
