Giovanna Lis

Manu, a middle-aged homosexual man, lives in the city of São Paulo in the late 80s and spends his nights performing as the drag queen Brigitte, in a cabaret. As Brigitte, professional and personal difficulties are caused by this secret identity. When Manu's son Juca decides to inform him that he intends to go to São Paulo, Manu is forced to face his problems to obtain the approval of the most important person in his life, his only son.

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On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.

Using photos taken on a dominoes game and one music by the artist Pepe Moreno, the short film is an observational and ironic documentary that shows the transformation of the participants and the chaos that ensues when there is excessive alcohol consumption. A comical and realistic reflection on the excesses and affections that mark the encounters of Brazilian male youth, all to the sound of the electronic forró genre.

After managing to prove her innocence, a woman from the outskirts of São Paulo will have to go after those who were really responsible for her arrest to get answers, even if it costs her life.

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A man tries to satisfy his desire after seeing a commercial about a new type of water that is coming to the markets.

Shot on Super 8 and blending fantasy and reality, Fiesta 2010 is a quick, ironic observation of masculinity. The short film follows a man on a cold afternoon who decides to carefully wash his car. Gradually, a strange relationship with his vehicle is revealed.

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No description available.

The documentary follows the journey of workers in the city of São Paulo whose crafts have been passed down from generation to generation. Amid the voracious growth of a city that increasingly leaves them aside, the workers resist through acts of reparation, always remembering their past and never letting hope fade away.

Between bars and shows, Dodô Pankada divides his time between his work as a barber and the stages of São Paulo's independent music scene, where he sings forró and other genres that are part of his Northeastern roots. Alongside him is Ericoness, a curious and eccentric outsider, who enters Dodô's world with the goal of documenting his routine and trying to understand what makes him continue pursuing his dream.