Kong Yu-sing

While trying to keep his struggling business afloat, a chef goes on a dating app in search of Zelda, his crush from his chatroom days as a teenager. For each Zelda he meets, he makes a tailor-made meal to fit their story. Putting a spotlight on the city’s struggling restaurant sector, indie filmmaker Amos WHY and his co-director Frankie Chung’s unconventional and bittersweet road movie follows a rootless man who turns to his memories to avoid confronting his unknown future. Is it better to drift with uncertainty, or to stay in your comfort zone whilst tethered to a sinking ship?

The financial analysis of a Chinese IT firm has been stolen, and a senior executive at the investment bank that wrote it must pay a ransom before the confidential report is released to the public. However, eyebrows are raised when the thieves ask for a surprisingly low amount for the ransom. What are the thieves really after?

Everyphone Everywhere’s cross-cutting narrative brings together a large set of players within the mobile-communications theme. First there’s designer Chung Chit (Endy Chow), who rushes to catch a ferry and leaves his phone at home. There’s no time to retrieve the device, so he tries to soldier on without it – and the results are eye-opening. Eventually, he’ll need to call his wife Ivy (Cecilia Choi) to awkwardly help him out. Meanwhile, soon-to-emigrate middle manager Raymond Ho (Peter Chan) starts his day with his WhatsApp account hacked and frozen. Broken contacts aside, his big fear is exposure of shady workplace practices and possible blackmail or arrest. Then there’s Ana (Rosa Maria Velasco), an old classmate of theirs who’s waiting in a private kitchen and getting odd messages. And all the time a young lady, Yanki (Amy Tang), and a nerdy computer wiz (Henick Chou) are busy using messaging apps for sleazy purposes.