Martina Cruz

In the summer of 2000 in Ezeiza, in a neighborhood laundry, Azul and her grandmother Lydia washed, dried and ironed clothes. The tension between them grows around one issue: Azul doesn't know if she wants to be a washerwoman forever.

Chinski and Pastela reflect on love, sex, sadness, authenticity and the construction of our image and identity. An interaction that generates debate between two opposing individuals.

A documentary about the sea and memory. Its movement is its form. Its strength.

A daughter searches for a film script, driven by her father's last words: "I can't die because I didn't make a movie." The film is the incomplete and obscured unfolding of that man, that mystery: an unusual family man, with a variety of jobs and no success, who uses a camera like an obsessive, someone who lives his life observing others.

Omar is a left-wing activist who discovers a Che Guevara teddy bear by chance, inside a stuffed animal machine. Outraged, he tries to rescue it, but quickly discovers that he has not only the system against him, but also Nico, the employee of the month.