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Oleg Karpov

Directing

Known For

To Live and to Die in Samarkand
N/A

Having gone to Samarkand in search of traces of colonial culture, of which there were quite a few left there, having carefully photographed them, we suddenly discovered that it was not the dead buildings that were much more interesting, but the living carriers of this very colonial culture. The result is a film about people who live on the ruins of an empire.

To Live and to Die in Samarkand

2007
The Burden of Virginity
N/A

The Burden of Virginity explores the deeply rooted traditions surrounding virginity in Uzbekistan, focusing on the expectations placed on brides to remain "pure" until their wedding day. The film follows the story of a young Uzbek woman who faces public humiliation and familial rejection after failing to prove her virginity. Her ordeal leads her to contemplate suicide, highlighting the extreme pressures imposed by societal customs.

The Burden of Virginity

2008
Neither live nor die in Tashkent
N/A

Chronicles of the cultural life of Tashkent (2007 – 2015). From the murder of Mark Weil to the wedding of Alisher Usmanov. Tashkent Biennale, apartment buildings, video art festival, conversations about nothing, amateur performances and operational shooting, advertising and much more. Tashkent, which no longer exists, just as these people are no longer in it.

Neither live nor die in Tashkent

2015
Live and not die in Copenhagen
N/A

Travel to Copenhagen

Live and not die in Copenhagen

2013
Grandmother of Russian Feminism
4.5

Portrait of a typical European feminist - Olga Lipovskaya (1954-2021), journalist, translator, poet, founder of the women's non-profit organization St. Petersburg Center for Gender Issues (an educational and resource center for women and women's organizations), editor of the samizdat magazine Women's Reading.

Grandmother of Russian Feminism

2007
No image
N/A

Filmed in Bukhara.

Hydrophobia

2008
Live and live in Fergana
N/A

About Russians living in Fergana, why they are not going to leave and what they see as the meaning of their presence on the land of Turkestan

Live and live in Fergana

2009
Men and Women: in Rites and Rituals
N/A

Rites and rituals have, for decades or even centuries, ingrained behavioral models into our subconscious, which at first glance may seem harmless. But how relevant are they to the place and time we live? What role do they play in shaping gender stereotypes? Weddings, circumcision, beshik-toy, and many other rituals and ceremonies of the peoples of Uzbekistan—what roles do they assign to men and women? We were quite interested in observing all of this.

Men and Women: in Rites and Rituals

2006
No image
N/A

A film about unobvious space-time connections

More than alive

2011
Timelessness Light
N/A

Karimov is dead - but we are not yet. Tashkent of the post-Karimov era.

Timelessness Light

2018