Nina Forsman

The tuberculosis sanatorium was both heaven and hell within the same walls. The story of the epidemic includes death, shame and isolation as well as sanatorium romances, fun and survival stories. The film takes the viewer on a vivid journey into the sanatorium era: it gives the viewer a sanatorium experience full of surprises, and through documentary evidence, takes us to the heart of the secrets.

By means of a lifelike simulation, Nora meets an AI version of the child she could have.

Can a rooster lay eggs? Anecdotes of such miracles are known, but what is revealed behind them? What would the rooster say if we were to get a witness statement? Out of archive material, Nina Forsman has entwined an observant and playful documentary film. Tickling common sense, the work ends up asking how humans have looked at and used other species throughout history. How do we recognise what is against nature in our society so alienated from it?

The documentary is a part of "Europe refuses to work" project. The goal of the project has been to gather together ideas and practices that are encouraging from the critique of work, which open up prospects for a more meaningful and sustainable world.