Pierre Tairraz

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

Famous British mountaineer Winter wants to climb a difficult summit, the Citadel. He goes to a small village but no guide wants to accompany him. A young man from the village, Rudi Matt, whose father died fifteen years earlier during an attempt to climb the Citadel, is determined to accompany him, with the help of his uncle. Winter also manages to hire a guide from a neighboring village and competitor, Emil Saxo. The roped party of four men then begins the ascent of the still untouched summit.

"Perilous Assignment" is an episode of ABC's Walt Disney Presents. Disney loved to show viewers behind the scenes of the daring shoots of its theatrically released or TV shows. The theme of the episode is the making of his next film, The Third Man on the Mountain, an adaptation of James Ramsey Ullman's novel Banner in the Sky, based on the true story of the first ascent of the Matterhorn. Walt Disney will not be limited to a simple promotional making-of. He offers to meet exceptional people, including the French mountain guide Gaston Rébuffat. The latter will show climbing techniques and then reveal breathtaking images of his ascents of steep cliffs with a client for the ascent of Mont-Blanc, filmed for the occasion. In 1958, Walt Disney will therefore offer him to be deputy director on the high mountain scenes of the film "The Third Man on the Mountain".

At once a high-level musician, member of the October Group, entertainer, theater artist, film actor, mountaineer, and skier, Maurice Baquet, always on the move, structured his life around two common threads: the cello and the mountains. He once defined himself as a "cellist-skier," "all alone" in this category, which prompted James Couttet, world ski champion, to say: "Of all the skiers I know, he's the best cellist." Echoing this, Professor at the Conservatoire National Supérieur, André Navarra, added: "Of all the cellists I know, he's the best skier." Throughout his varied yet coherent career, Baquet helped to project a joyful and artistic image of the mountains. Who better to talk about Maurice and all his adventures than his alter-ego: Cérébos, the faithful cello that never left his side? From Paris to Chamonix, from the stage to the granite slabs and snowy slopes, this film follows Cérébos, crossing the century and above all... smiling!

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Two men are in love with the same woman. One of them, feeling rejected, attempts suicide. The young woman finally decides to choose a third man. When they recount their affair, none of them gives the same version of events...

"Les Habitants des Flammes de Pierre" is the making-of documentary for the film "The Pillar of Solitude," which recounts Walter Bonatti's historic 1955 ascent of the southwest pillar of the Drus (the Bonatti Pillar) in the Mont Blanc massif, an 800-meter-high vertical face, climbed solo in six days, despite having only three. In the film, the renowned Swiss mountaineer Michel Vaucher portrays Bonatti. Unlike the film "The Pillar of Solitude," which was shot in black and white, the making-of documentary was filmed in color.

For a century and a half, mountain images by their beauty have largely gained from its influence, its frequentation and its development. But they are also a tool in the service of science, fixing the transformation of landscapes, habitats... Over 150 years, the Tairraz dynasty photographed the mountain. Four generations of photographers have magnified the Mont-Blanc massif. From the first photograph taken at the summit of Mont-Blanc in 1861 to the present day, this art is at the origin of many mountaineering vocations and has largely contributed to the tourist development of these formerly ignored valleys. Here is the wonderful story of a dynasty of photographers, the Tairraz, which stretches from 1861 to the dawn of the 2000s.

Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.

"Sur Les Traces De Premier De Cordée", a color documentary from 1952 which will be released the same year as the eponymous photo book published by Arthaud, features Roger Frison-Roche and his sidekick Georges Tairraz II on the Aiguille du Grépon (3482 m) in the Aiguilles massif which overlooks the Chamonix valley. Together they co-produce the images of the ascent. The young Pierre Tairraz, who completed his training in Paris, at the school in the rue de Vaugirard (Cinema promotion in 1953), also took part in this very technical aerial filming as assistant to his father Georges Tairraz II and cameraman.