Gaspar Chaves

With the strange disappearance of Laura, two colleagues, her older boyfriend, Rafael, and Ezequiel, learn of their recent discoveries, which may help them locate her. However, the story is bigger and stranger than they could imagine.

Mateo and Lucía are moving abroad. The day before leaving, Mateo reunites with his lifelong friend, Dionisio, to spend one last summer afternoon together. However, as their inevitable goodbye inches closer, Mateo begins to perceive a series of strange events. In particular, he begins to hear a goat's bleat…

Manuel Jiménez receives some clandestine wiretappings that he has to transcribe. Because of this, and almost without wanting to, he enters a kaleidoscopic plot that involves a group of people at a party, their later walkabouts around the city at night, and their relationship with the secrets hidden inside Vodka’s diary.

A hunter, in his eagerness to hunt a pig, finds himself trapped in the forest.

A portrait of Javier Urondo and his discomforting, sharp and provocative take on the act of serving food. Paco Urondo, his father, was a distinguished poet and political activist, murdered by the military dictatorship in 1976. This is the story of Javier, of how he maintains the Urondo Bar, a restaurant in a Buenos Aires suburb, from where he lends new meaning to a legacy and a belonging and turns them into an act of resistance. A film about food as a source of culture and family.

No description available.

A film about surviving something that didn’t go as expected. Manuel is going through a break-up with Camila, and, at the same time, he has to rethink the whole artistic project that has been his focus for the last few years. To give Camila space to pack, he leaves for a seaside location, where he continues his preoccupation with recording sounds of all kinds. His inertia about the future will be challenged by something extraordinary that happens to him on the beach.

No description available.

In the face of an apparent disagreement, a pair of girls manages to find each other through different objects scattered throughout Buenos Aires. However, upon arriving at a bookstore, one of those objects, a book with a rough cover, triggers a crossing of spaces: from the discovery of objects, we move on to discovering spaces that intersect with a different logic than the city. We go from the city to the forest, from the forest to a cabin, and from a cabin to train tracks. Meanwhile, we discover that not only are they following the same route, but several pairs of girls, dressed alike, traverse the same spaces but in opposite directions.

A critical memoir about revolutionary violence in Argentina in the 1970s.

No description available.

One lonely winter weekend, Francisco receives the unexpected visit of Eugenia, a girl much older than him.