Acting
Broadcast on 1 February 1956, composer Arthur Benjamin's Mañana was the first opera commissioned by the BBC. "The small Andalusian village comes to life in a sequence of short scenes introducing its inhabitants: a group of gossiping washerwomen, the prying eyes of the old rich widow looking down from her window, the neglected boy playing in the square, the pickpocket at work, the lazy man stretched out snoring in the midday sun, the Wise Man who mends china and writes letters for the poor and is fed in turn by the community. What will happen on the day when his food is given to a boy wrongly imprisoned in the local gaol and the Wise Man goes hungry? His anger is such that he prophesies the end of the world for mañana (tomorrow morning) and the credulous village repents and makes ready to meet its doom." —George R. Foa
Benjamin Britten's powerful opera Peter Grimes is considered to be one of the masterpieces of the 20th century. In this famous production by Elijah Moshinsky for The Royal Opera, filmed in 1981, Canadian tenor Jon Vickers stars as the complex and misunderstood fisherman, with Heather Harper as Ellen Orford and Norman Bailey as Bulstrode. The conductor is Sir Colin Davis, who worked for several years with the cast of this production, resulting in a masterly interweaving of characters in this gripping drama. Elijah MoshinskyÂ’s production for The Royal Opera was inspired by early Victorian photographs taken of the Suffolk coast and presents his action on a sparse stage, evocatively lit and dominated by strong performances. Canadian tenor Jon Vickers is one of the greatest Grimes of all. This is a towering performance, rough and terrifying, yet beautifully sung in the lyrical passages.
Benjamin Britten’s opera of the Henry James novel. An inexperienced governess is sent to a country house to care for two children, whom she is gradually convinced have been corrupted by the ghosts of a previous manservant and governess…
Sir Colin Davis conducts the London Symphony Orchestra and Chorus in this rendition of George Frideric Handel's Messiah. Handel’s Messiah was composed in 1742 with a scriptural text compiled by Charles Jennens. It tells the story of the life of Jesus Christ in three sections, from his birth to his death and eventual resurrection. Messiah has become one of the most recognized, appreciated and exhibited choral works during the Easter period.
This TV production is from 1970 and the color picture is accordingly rich and beautiful. The sound however is below average for the era, but still ... twiddle the knobs, turn the bass up a little, and get acclimated. This is a fully traditional production, actually very pleasing in that regard.
A family conflict ensues after Owen, the youngest of the proud military family Wingrave, expected to continue the family tradition and become a soldier, rejects violence and war and proclaims himself a pacifist.
A behind-the-scenes look at the Aldeburgh Festival and the opening by The Queen of the new concert hall at Snape.
A huge success at its first performance in 1728 John Gay's The Beggar's Opera satirized the conventions of Italian opera, using popular tunes to tell the story of rogues and criminals. With his distinctive musical arrangements at its heart, Britten's 1948 adaptation was a significant revision, amounting to a new twentieth-century opera. The BBC film, originally broadcast in 1963, feature a superb cast of English singers..
This 1969 BBC production is about as close as we can get to a definitive version of Benjamin Britten's PETER GRIMES, one of the greatest 20th Century operas. The story of the individualistic fisherman hounded by his neighbors who believe he murdered his young apprentice packs tremendous emotional power. The compelling narrative is richly enhanced by its subtexts: the lone outsider versus the conformist mob; the dreamer of improbable dreams that lead to tragedy; the artist (dreamer) versus the Philistines, and the homosexual overtones of Grimes' abuse of his child apprentices. Britten is conductor of his work and tenor Peter Pears is Grimes, 25 years after he created the title role at the opera's premiere. As the widow Ellen Orford, soprano Heather Harper is magnificent. Best of all, the sea is an ever-present actor here. When we don't see it in the background it exerts its presence in the abundant visual references to nets, barrels, and other paraphernalia of a seaside fishing village.
