Maximiliano Passarelli

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

The Felpetos have managed a clandestine lottery business for decades. The family enterprise operates in a small housing development. Maribel leads a crew of clerks who log the bets from her living room. Alejandra, her mother, lives in an identicalhouse just a few meters away, which serves as the administrative office. Some lotto bankers have been raided lately, and the atmosphere in the neighborhood has become strage since. There has been talk about police dismissals and big-money movements. Nobody can tell what is true from the rumors or the news on TV

Five strangers have the same dream: a room, a tree, a dance, a secret meeting, and a snake.

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Agustín, a comic book illustrator, doesn’t want to continue drawing. Perhaps he’s a talentless man, or maybe he just doesn’t feel like it. One day he has a dream in which he barges in her ex-girlfriend’s place. That same day, he wants to prove if everything is still there, the way he left it.

In a near future, during a relentless summer break and the imminent arrival of a solar eclipse, 12-year-old Bego struggles to find her place among her family and other girls her age. As the moon seems to “eclipse” animals and people around her, she searches online for some escape. She discovers “shifting,” a practice done by teenagers who believe they can cross into another reality through lucid dreaming. As the nights grow longer and lonelier, Bego takes solace in the virtual world.

An agoraphobic musician, locked up in his home, begins to live with a shadow cast on his wall; a shadow that has a life of its own. Meanwhile, between jobs, music, scripts, gymnasts and volleyball matches, the musician’s friends go on with their lives during the beginning of autumn in Buenos Aires.

A boy tells a movie to a girl. With his exaggerated, absurd and at times incomplete narration, the boy creates a film that will finally take its own autonomy.

The pandemic, images from the past, images in the trash, various animals, a wounded lion boy, musical neighbors singing an old bolero, a medicinal herb vendor making cooking videos. An experimental piece in collaboration with I Acevedo, Paula Trama, and Inés Copertino, commissioned by the Buenos Aires Queer Art Festival.

Juan meets Juan and they both have their hearts broken. A heart that’s a box of assorted chocolates where the other sticks his hand without really knowing what he’s going to get.

Like a playlist, there are songs, there are questions, there is an anniversary and a boy who misses another. There are many more things that appear in a linear way but that, in practice, take place all at once-all the time and shape the idea of something greater.