Charles M. Blow

Each week Bill Maher surrounds himself with a panel of guests which include politicians, actors, comedians, musicians and the like to discuss what's going on in the world.

The sparkling notes of a trumpet fanfare and the familiar logo of the sun alert viewers that it's time for CBS's Sunday morning staple. Journalist Jane Pauley helms the show, taking over hosting duties from Charles Osgood, who spent 22 years on the job. A morning talk show, this program airs at a different pace and focuses much of its attention on the performing arts. After a quick update of the day's news and national weather, correspondents offer longer-length segments on a variety of topics, from architecture to ballet to music to pop culture to politics.

Former news host and journalist Tamron Hall discusses all things topical and engages those she interviews in thorough meaningful and entertaining conversations.

Join author, activist and commentator Margaret Hoover for a public affairs talk show that delivers a civil and engaging contest of ideas among the brightest minds and voices from across the ideological spectrum.

Estranged and out-of-touch, four women in their 40s reunite for a chance to recapture their fame and regain the swagger they had as the Nasty Bitches—their ‘90s group that made them legends in the hip-hop world.

In his provocative 2021 book, The Devil You Know: A Black Power Manifesto, New York Times opinion columnist Charles M. Blow calls for a “reverse Great Migration” of African Americans from the North back to the South to upend today’s political power structures while reclaiming the land and culture they left behind. South to Black Power does more than illustrate Blow’s enlightening ideas; we journey through Blow’s personal story, from his childhood in Louisiana to his role as father to young adult children in New York City, showing us the hard-won truths behind his vision for the future.

Yannick Nézet-Séguin conducts Grammy Award–winning jazz musician and composer Terence Blanchard’s adaptation of Charles M. Blow’s moving memoir, which The New York Times praised after its 2019 world premiere at Opera Theatre of Saint Louis as “bold and affecting” and “subtly powerful.” The first opera by a Black composer presented on the Met stage and featuring a libretto by filmmaker Kasi Lemmons, the opera tells a poignant and profound story about a young man’s journey to overcome a life of trauma and hardship. James Robinson and Camille A. Brown—two of the creators of the Met’s sensational recent production of Porgy and Bess—co-direct this new staging, which appears in cinemas on October 23. Baritone Will Liverman, one of opera’s most exciting young artists, stars as Charles, alongside sopranos Angel Blue as Destiny/Loneliness/Greta and Latonia Moore as Billie.

A group of individuals who came out as LGBTQ+ later in life reflect on the emotional and often complicated paths that led them to finally embrace their true identities. After years of living in secrecy—some as long as decades—they share personal stories of internal conflict, family tension, and the courage it took to step into the light. From a nonagenarian to a former priest and a military veteran, each narrative reveals the unique challenges of coming out in midlife, while celebrating the profound freedom and self-acceptance that can emerge at any age.

Devastated after learning her brother, Adam, was murdered in New Orleans, bounce legend Big Freedia decides to use her experience and platform to raise awareness about the complexity of gun violence.