Acting
In the 22nd century, a paraplegic Marine is dispatched to the moon Pandora on a unique mission, but becomes torn between following orders and protecting an alien civilization.
Many thousands of years in the future, Earth’s cities roam the globe on huge wheels, devouring each other in a struggle for ever diminishing resources. On one of these massive traction cities, the old London, Tom Natsworthy has an unexpected encounter with a mysterious young woman from the wastelands who will change the course of his life forever.
Two families - De Lutrelles and McFarlanes. They both live in the same house, but 130 years apart in time. De Lutrelle's: father Gervaise, mother Violette and daughter Constance. In their age, around the house were goldfields. Family emigrated from France with the remnants of their wealth, and hoping to find gold so they would restore their fortunes. McFarlan's: father Doug, mother Jenny who decided to get in a new business: eco-tourism. Guests will stay with Doug and his family - second wife Jenny, stepson Fergus, daughter Mandy, and sister-in-law Lily, who maked troubles wherever she goes! Doug has also another son, Daniel. When the series begins, Daniel decides he wants to meet the father who left him and his mother Caroline when he was just a baby. He invites himself to stay for the holidays and, with the help of the mirror, he changes everyone's life, his own included.
On the 7th of May 2009, Senior Constables Len Snee, Grant Diver and Bruce Miller arrived at 41 Chaucer Rd in Napier to serve a search warrant on Jan Molenaar for the growing of cannabis. This was just a routine warrant, something they had done countless times. What was meant to be an ordinary procedure turned into three of New Zealand’s darkest days and ended with one police officer dead, two officers critically injured and a member of the public fighting for his life. In some fifty hours Jan Molenaar made a permanent and devastating imprint upon the national psyche of New Zealand as he changed the lives of individuals, families, a police community, and a city. The siege was one of the worst and unexpected cases of violence both Napier and New Zealand had witnessed and it was all the more shocking because of its ordinary suburban backdrop.
Four twenty-something's hit the roads of Europe in a classic VW Kombi in search of the dream "Overseas Experience" (OE) - sex, drugs and rock'n roll...maybe...what could possibly go wrong?
his film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.
