Anita Hugi

An account of the life and work of the Swiss writer Johanna Spyri (1827-1901), the barely known artistic mother of Heidi, her brave alpine heroine, who was first introduced to the world between 1880 and 1881, in a novel published in two parts, and became definitely immortal thanks to an anime series, released in 1974, directed by the Japanese genius Isao Takahata.

Fenni, a young Chinese woman, is spending her first New Year alone in Paris, home to the largest Chinese Diaspora in Europe, when an unusual trans generational encounter changes her perspective.

Fortune and Kevine, two inseparable friends, play on the same first-division football team in Yaoundé, Cameroon. To achieve their dream of playing for a foreign club, they must fight to gain recognition as female footballers. Kevine signs with the renowned FC Nantes and leaves her country, while Fortune hopes to join her one day.

The high rises on the outskirts of Geneva are his kingdom. Chouaib makes ends meet as a street trader, and nurtures his passion for rap. Both of which draw on his gift for language to win over customers and create poetry. A portrait emerges between moments of work and play, between the daily grind and the need to make it big, as a means of escape.

Through scootering and self-development, a young boy in quest of identity explores his relationship to his body and emotions. Made from content collected online, the film follows his character’s attempts to respond to his existential dismay.

A metaphor with mechanical overtones, an unbroken chain of three situations, divergent and yet connected by a single element: pulsating, living steel. A family car with a mom and her kid, a furious truck, flying cars. An endless lullaby of engines.

Orion and Lio are working as sex workers when a violent argument breaks out between them, but in a world plunged into chaos, Orion realizes that Lio is more precious than anything else and is willing to face anything to find their friend.