
Luiz Villaça
Directing
Known For

No description available.
A Mulher do Prefeito

No description available.
3 Teresas

No description available.
Norma
Cristina still lives with her mother and wants to find her true love. She looks for help in a matrimonial agency, that arranges a meeting between her and Paulo. She likes the guy, but Paulo doesn't seem too enthusiastic. As time goes by, Chico, the owner of the agency, feels he is becoming too fond of Cristina...
Cristina Wants to Get Married

In order to recreate a picture taken in 1974, during the inauguration of São Paulo subway, Pedro meets two school friends he had not seen for 40 years. If their existential crises, ageing and (astray) ways were not enough, Pedro announces, to everyone's surprise, he intends to take his own life — even though not before he sees his soccer team win a championship.
45 do Segundo Tempo

No description available.
Vizinhos

After 20 years of marriage, Ana Lúcia and her husband Fábio decide to get a divorce. Fábio, however, decides to move to an apartment across the street, in front of the window of his former apartment - where Lúcia still lives. Both will have to learn how to deal with job crisis, problems with their daughter and this whole new situation.
De Onde Eu Te Vejo

Based on the life of Roberto Carlos Ramos, a Brazilian teacher and storyteller brought up in a state educational institution for poor children.
The Story of Me
A famous actor believes he has totally mastered his craft. A young and talented actress is open to new challenges. They meet, and confront each other; on, and off the stage. From his personal and artistic lethargy, he sees the possibilities of a new beginning, new opportunities, after starting to see her. The story unravels, as the title states, "behind the curtain."
Por Trás do Pano
No description available.
Habeas Corpus

The documentary “Pagliacci” celebrates – in a poetic way – what it means to be a clown. The film addresses philosophical and symbolic questions about man’s need to laugh at himself. In a sensorial and emotional mix, the film starts from what is most human and true: laughter.