Catherine Winter
Production
Biography
Known under the pseudonym Catherine Varlin.
Known For

Two French girls get lost in the woods and accidentally enter the realm of sorceress Morgana Le Fay - who gives them the choice of either staying young forever as her lovers, or rot in a dungeon for eternity.
Girl Slaves of Morgana Le Fay

Georges Lajoie is a Parisian café owner. As every summer, Georges, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite, where they meet up with the Schumacher family (whose father is a bailiff) and the Colin family (who sells bras in the markets). This year, their peace is slightly disturbed by the proximity of a construction site where foreign workers are employed. Xenophobic comments are made. One evening at the ball, a fight breaks out between Lajoie, Albert Schumacher and two algerian immigrant workers...
The Common Man

With his mauve taxi, the old philosopher Dr. Seamus Scully runs around the small green roads of the south of Ireland, becoming confident of his patients, while trying to help them find their way.
The Purple Taxi

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.
The War Is Over

Claudia Cardinale is Popsy, who double-crosses her older partner Silva (Stanley Baker). Silva has arranged to divert diamonds from a large corporate-run diamond mine in the South American jungle, and Popsy does her “pop” wrong as they are both pursued by police.
Popsy Pop

Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
The Lovely Month of May

The murder of a Parisian mobster starts a war within the world of organized crime.
Killing in the Sun

After witnessing and accidentally helping several thugs get away with a heist, the women rooming together notice through their telescope that the stolen loot is in the apartment right across the street. They plan their own burglary of the already stolen loot.
Seduction Squad

1944. A young French soldier is involved, without really wanting it, into American operations for Liberation.
The Dangerous Mission

In the spring of 1944, in the Woëvre forest of Lorraine, a group of young maquisards takes in four German deserters. led by Saint-Brice is based in the Woevre forest. Lise, a nineteen-year-old girl, is their liaison officer. One evening, four German soldiers turn up as deserters. After a period of doubt, the maquisards agree to integrate them into their group. Lise falls in love with one of the newcomers, Werner, and becomes his mistress. One day, she leaves on a mission with Lucien, and comes across an enemy patrol. The SS shoot Lucien and free Lise. In the camp, people begin to think that the maquis has been betrayed.
We Won't Go to the Woods Anymore

Catherine Varlin's 27-minute Playtime in Paris (1962) is almost a practice run for Le joli mai, a sampling that starts in a classroom and then observes various subjects from afar. A woman is compared to a cat, and then we see a little girl on a playground, kissing, hugging and swatting a little boy companion as if he were a doll-plaything. A supermarket is compared to a flea market; an upscale equestrian event is compared to a soccer match, a comic bullfight and other attractions. Marker edited and Lhomme was the cameraman.
Playtime in Paris

Koumiko Muraoka, a young Japanese woman born in Manchuria and educated in France, wanders through Tokyo while she reflects on identity, memory, and what it means to be Japanese in a rapidly changing world.
The Koumiko Mystery

A young commissioner investigates the murder of a Sicilian criminal with the help of a social worker.
Nailed Lips

"Demain à Nanguila" follows Moussa, a young man who leaves his village for Bamako in search of opportunity but instead encounters hardship and disillusionment. His return home becomes a reflection on rural exodus, tradition, and the challenges facing Mali in the early years of independence.