Nils Herrmann

Between psychosis, delusions of persecution and trauma, A finds himself at an interface between past and present after a stay in hospital. What is still reality and what is a fearful manifestation of traumatic encounters? By confronting herself with old diary entries, she tries to come to terms with the emotional maelstrom. The breaches of trust from her youth keep pushing their way to the surface in her current relationships and make it difficult to grasp happiness.

An apocalyptic sound of roaring machines incessantly intrudes into the habitats of man and nature. Barren landscapes and deserted villages linger in hypnotic restlessness. A self-destructive system meets resistance.

In their feature-length debut, Gossing/Sieckmann dive into the merfolk subculture with performance artist and siren Una. Genre elements, fiction and documentary, self-care, political activism and self-chosen identities blend into one another.

Marco gets his golden ticket out of the village and into a big football club. Between wild partying and doubts, he must decide if he dares to flee into the unknown.

Simone Müller puts on her self-made traditional Cheyenne outfit. She tells us about her longing to visit the Western United States. We join her in a get-together with fellow hobbyists as they gather around the fireplace of a tipi in their suburb garden to get lost in play. Yara, an internationally successful western rider from the Ruhr, dresses in her sequined golden show outfit before training with her appaloosa mare Casey. She tells us about her passion for Texas, where everything seems to be a little larger than life. We sit beside Kevin Derwahl, better known by his nickname “Johnson”, as he rides his wartime Jeep through the Belgian Ardennes and pay visit to a stretch of forest that saw heavy fighting during of the Battle of the Bulge. What they all share, beside their passion for America, is the notion that all this is not necessarily about a worldly place…