Miroslava Kolářová

A funny movie about life and adventures of the five inseparable friends from little town in south Czech republic.

Adventures of a little Czech girl Yana visiting in Moscow with her parents and dog.

Even the best of friends can fall apart, often all it takes is a minor misunderstanding. That's exactly what happened to two village friends, children finishing elementary school, between whom hostility and suspicion suddenly set in. The mosaic-like plot contains a number of humorous observations, but overall it distances itself from any ambition to deeply affect the mentality of adolescents, much less the countryside.

The film about curious children who discover a sunken statue of Masaryk in a disused well was interfered with by the events of November and the filmmakers tried to incorporate their echoes into the flow of the narrative. However, the result is at times confusing, as the originally childish adventure has thus grown into a naive social poster child.

Children join folklore groups at an early age, but their relationship to them is formed only gradually, there are more than enough external stimuli that affect them. However, the prospect of performing abroad changes their relationship to folk songs and dances and disrupts their previously strong friendships. Although the film deals with child protagonists and is also aimed at a child audience, it can undoubtedly appeal to adults as well, as it tackles issues affecting parents.

The production was based on Ivan Olbracht's novel Nikola Šuhaj loupežník (Nikola Šuhaj the Robber). The music draws on Petr Ulrych's famous LP, which was released in 1974, won the Bílá vrána (White Crow) award from Mladý svět magazine, and subsequently inspired a production at Prague's Divadlo Ateliér theater. Among other things, the band Javory was formed on this occasion. The expanded band Javory also plays and sings in the 2002 production of the Brno City Theater, and additional musical numbers were created for it. Of the 25 numbers, more than half are new to the performance. Petr Ulrych won the A. Radok Award for his music. Director and author of the theatrical adaptation Stanislav Moša incorporated film footage into the production, which works wonderfully as a reminiscence of natural beauty. Also worth mentioning is the impressive choreography of the police and bandit choirs and the excellent acting and singing performances, led by Petr Štěpán in the lead role.

The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

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The legend of Doctor Faust tells of man's desire for knowledge and fulfillment in life.