Gabriela Teodoro
Visual Effects
Known For
Ludmila, Larissa, and Luísa are inseparable best friends with unique and conflicting personalities in college. At a party, Ludmila kisses Luísa's boyfriend and manipulates Larissa to hide her secret. Without anyone finding out, Ludmila goes on with her life acting as if nothing happened, but she will need to face the consequences of her choices when an unknown threat invades her home to reveal and judge her lies.
When the Night is Over
No description available.
A Janela da Alma
Since childhood, Amélia has been tormented by nightmares involving the tragic death of her mother, Maria. In the early hours of her 23rd birthday, she decides to revisit old footage and memories left by Maria and ends up getting lost on the threshold between reality and dream.
Limiar
Vestigial challenges the culturally constructed hierarchical notions humans have about non-human life, blurring epistemological boundaries. The dancing body moves between the human, the animal, and the machine, mapping traces of past existences, experiencing the scene as an imaginative space for new realities. Dance and audiovisual elements are articulated as layers of the same sensitive perception, jointly investigating movement, accompanied by the musical compositions of the sound wizard, Hermeto Pascoal.
Vestigial
No description available.
Canção Vespertina
Interlude is a short film that explores the perspectives of a relationship through Eduardo and Camila. While the first part reveals moments of connection and passion, the second part shows the nuances of heartbreak through Camila's eyes. Alternating between narratives, the film addresses the duality of human feelings, love and its impermanence, and themes such as change, loss, and acceptance.
Interlude
No description available.