Acting
A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.
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Late at night Eva Trojanová returns home to an agitated husband; three days later, her body is found with bruises on her neck. Her spouse, missing after a business trip, becomes the prime suspect and flees to northern Bohemia. When investigators learn he is innocent, Captain Hart continues pursuing him, not as a criminal but as a desperate man whose plight may endanger himself or draw him into conflict with the law.
It is the summer of 1968 and also in South Moravian Pálavice appear political clashes. The so far peacefully farming Unified farmers' cooperative starts splitting. Some of the farmers have found the cooperative called Vidrupa and want to deal with wine in private trade. Michal Janák, chairman of the farmers' cooperative is a deliberate man and refuses the latent return to the capitalism. As an excellent farmer he continues preparing planting out new vineyards. His adversaries do not agree - the returns will come many years later. Jozka Hrdlicka, an émigré, notices on the Austrian TV the interview with the representatives of Vidrupa and decides to visit his native village. The new suit and the hired car transform the bankrupt and criminal to the successful businessman with wine.
The film follows Karel Novák, who is appointed as the head of a research institute's new department. His ambitious wife, Eva, sees this as an opportunity for social advancement. She quits her job, turns their apartment into a hair salon, and begins networking with influential people. However, her efforts entangle Karel in a web of shady business dealings, including a dubious connection with a foreign company, Djungarden. As misunderstandings and comedic mishaps unfold, Karel finds himself in trouble with the police, while Eva struggles to maintain control over their chaotic rise in society.
The popular Moravanka brass band performs at the fair. Vasek Pivoňka, the bandleader of the local brass band Kulatěnky, which broke up, decides to put the band back together. The village musicians are sceptical at first, but later they start rehearsing with vigour. Standa, a Prague resident who is working in a pig farm to cure his nerves, helps them to organise the concert. He really likes Evica Kocourková, but her father keeps an eye on her. Young Šišák tries to charm the teacher Olina. Before the performance can begin, the band must succeed before the cultural committee. However, they fail to do so. The disappointed musicians play for themselves at the station and suddenly they are successful. Standa comes up with an idea how to push Kulatěnka through without the permission of the commission. A concert of Moravanka is being prepared in nearby Nechvalin.
A petrol pump is run by a permanent team: the manager Vávra, a former civil engineer ing. Stejskal, a smug crook named Karafa, and an old man, Dvořák, who is about to retire. They have a well-developed system that allows them to divert part of the profits into their own pockets. The only one who wants nothing to do with the crooked business is old Dvorak, who one day will find another job. Into this situation comes a young man, Zdeněk Černý, as a new employee. He's inquisitive and works quickly. He also understands the profit-sharing system. He soon inspires confidence in Vávra and the others, but soon starts to assert his right to an equal share of the profits...
A psychological story about dissatisfied individuals who despise the stereotypes of others, but create their own. Kazan, a vagabond through life, and Viola, who always settles for the ideal, form a disparate pair who eventually find the one.
The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.
