Evan Zeldenrust

History teacher Jurre and public prosecutor Sarah each battle the criminal world in their own way. Although the two have been married for years, they keep their double life a secret from each other in order to protect each other and their family. The situation is getting more and more dangerous and their children are no longer safe either.

After a near-fatal accident, filmmaker Guido van der Werve muses about the highs and lows of his own life as he endures a long process of recovery. Instead of a linear narrative, Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.