Gabriel Torrado

2009. Curitiba. University of Cinema. After the accidental death of Leandro, a student, inside the filming studio, Romero, the institution's janitor and Leandro's grandfather, after blaming the other 5 students for his grandson's death, kills, dismembers and buries the boys on the campus itself. This story becomes known nationwide as "the boys in pieces". 15 years later, another 6 students are producing a "true crime" documentary about this brutal crime and someone does not want this story to be told. New deaths begin to occur.

Reimagining scenes from the iconic Man with a Movie Camera (1929, Dir. Dziga Vertov/USSR), Man with a Cellphone Camera delves into the creative potential and image manipulation in the era of social media.