Markus Schramm

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Leipzig, December 1734: Christmas brings the Bach family together. The first snow has fallen and the children Gottfried and Elisabeth are delighted about the arrival of their older brothers Friedemann and Emanuel. The Thomaskantor has retired to his music room. Anna Magdalena supports her husband, as there are only a few days left and his latest work, the six-part "Christmas Oratorio", must be finished on time. It is awaited with suspicion by the city council and the gentlemen of the consistory, who have long found Bach's waywardness a thorn in their side and fear that, after the premiere of the St. Matthew Passion a few years earlier, the St. Thomas Church will once again be filled with "operatic" music. With the oratorio, Johann Sebastian Bach hopes that he will finally become court composer in Dresden. And, as always, he demands that all members of the family join forces to help him. But differences of opinion are increasingly delaying the completion of Bach's most famous work.

Anna, 12, lives with her deaf mother in a loving bond, yet under humble conditions, that are a source of social shame when she begins high school. Staying close to its heroines, this refreshing debut blends solidarity, feminism and tons of melodies.

A man is murdered on a remote riverbank, and a young woman confesses to the murder to the police that same night. Forensic psychologist Karla Eckhardt identifies the confessed perpetrator as Anna Lobrecht, whom she had classified as a compulsive liar in a report two years ago. It's possible that Lobrecht isn't telling the whole truth this time either.

Inspired by Arthur Schnitzler’s scandalous drama Reigen and Chantal Akerman’s famous film Tout en Nuit, the viewer witnesses a modern cycle of love. The film portrays fleeting moments of happiness and disappointment: a young woman talks about her non-binary existence. We observe another woman who, after long years of marriage, finally leaves her home to embark on her first romantic adventure in a hotel room with a “blind date”. This is followed by a drunken drive home for a couple, whose nighttime outing ends in a dark landscape. To be continued!

With his unconventional investigative methods, Armin Trost regularly drives his superior and his affected colleague Reinhard Hinterher to despair – and even leads to his own suspension. He's just been suspended from duty again for his interference in a hostage situation when a musician is murdered.

In I AM HERE!, Wüst gave 16mm and its limitations on shooting a try, resulting in one of his most beautiful and intense works. Little happens outside childhood friends Monika and Martin talking while walking through a forest towards a barren field and a car. Their talk is simultaneously incessant and halting as they circle a history of hurt from their younger days.

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Stevie, a pea pod, has an accident at the gym and goes through an existential crisis since he can no longer be sold in the supermarket.