Dagmar Burešová

From the behavior, discourse, and appearance of individual actors, Vachek composes, in the form of a mosaic, a broad and many-layered film-argument about Czechoslovak democracy in the period of its rebirth, all administered with the director’s ini­mitable point of view.

On the 16th of January 2009, it will be 40 years from the self-burning of Jan Palach. He committed this act in protest against the progressing lethargy and pusillanimity of the Czechoslovak nation following the occupation of Czechoslovakia in 1968.