Stewart Copeland

Charting Aubrey Gordon's journey from anonymous blogger to NY Times bestselling author and podcast host, and the complexities of making change. It’s a film about fatness, family and the deep, messy feelings all of us hold about our bodies.

In the short film 'Jennifer', filmmaker Stewart Copeland explores his relationship with his mother through a recorded conversation between eighth-grade students and astronauts aboard the International Space Station.

August 16, 1977. All of America was stunned by the news of Elvis Presley's untimely passing. Some went so far as to believe that it couldn't be true. Somehow he had faked his death. For the executives at Sun Records that fantasy became an opportunity in the form of Orion, a mysterious masked performer with the voice of The King. First appearing in 1979, Orion recorded 11 albums and performed live to packed houses and rapturous fans around the nation. But who was the man behind the mask? In this stranger-than-fiction true story, Jeanie Finlay exposes the incredible life of an unknown singer plucked from obscurity and thrust into the spotlight with the complicity of a manipulative music industry and a public fan base unwilling to let The King go. Resonant in its themes of identity, fate, and the double-edged nature of fame, Orion is a stylish mystery story that finally gives a name and a face to a gifted artist who had been unjustly deprived of both.

In 1968 Roger Smith ate a peach during a break from work. When he was finished he took out a pocketknife and began carving the peach pit into a tiny pig. 43 years later the retired meter reader and cattle rancher from Culloeka, Tennessee, has carved hundreds of peach seeds into hummingbirds, stingrays, gospel choirs, entire villages, even a baseball stadium with more than 100 figures. "Given enough time," says Smith, "I don't think there is anything you can't make out of a peach seed."