Herb Cohen

"Boxcar" Bertha Thompson, a transient woman in Arkansas during the violence-filled Depression of the early '30s, meets up with rabble-rousing union man "Big" Bill Shelly and the two team up to fight the corrupt railroad establishment.

"Touring makes you crazy," Frank Zappa says, explaining that the idea for this film came to him while the Mothers of Invention were touring. The story, interspersed with performances by the Mothers and the Royal Symphony Orchestra, is a tale of life on the road. The band members' main concerns are the search for groupies and the desire to get paid.

A 15 minute short film capturing George Duke and his band in performance at the Roxy Theater on the Sunset Strip. Duke's manager, Herb Cohen, asked filmmaker Josh Morton to film the musician's set and make a short film, which CBS Records sent to Europe to play on Scopitone film jukeboxes.

From "The Dub Room Special": 1.Approximate (3:56) 2.Cosmik Debris (5:14) 3.Room Service (5:58) Not For Broadcast 4.Stinkfoot (5:44) 5.Inca Roads (9:55) 6.Pygmy Twylyte (3:53) 7.Room Service (5:18) Song Selection 8.Dog Meat (4:10) - Dog Breath and Uncle Meat 9.More Trouble Every Day (13:07) 10.Montana (4:50) 11.George Duke Solo (7:40) 12.Florentine Pogen (8:15) 13.Oh No (4:54) 14.Pygmy Twylyte (9:46) 15.Stinkfoot (8:48) 16.Inca Roads (8:41)

Frank Zappa: A Token of his Extreme is the 1974 television special recorded at Kcet in Hollywood that was produced by Zappa and aired only in France and Switzerland. The program, as thoroughly tweezed and produced by Zappa for his own Honker Home Video label, includes the following musical performances by Zappa and his band: T”he Dog Breath Variations/ Uncle Meat,” “Montana,” “Florentine Pogen,” “Stink-Foot,” “Pygmy Twylyte,” “Room Service,” “Inca Roads,” “Oh No,” Son of Orange County,” “More Trouble Every Day” and “A Token of My Extreme.” In the words of Zappa himself as he said it on The Mike Douglas Show in 1976, “This is put together with my own money and my own time and it’s been offered to television networks and to syndication and it has been steadfastly rejected by the American television industry.

A film by Frank Zappa made for the Dilexi Foundation on KQED