Roger Rosenblatt

In 1991, American Psycho, the third novel by controversial writer Bret Easton Ellis, provoked heated discussions among critics and readers alike; an extraordinarily disturbing book that transported its readers into the mind of Patrick Bateman, a cynical mergers and acquisitions executive obsessed with brands, inconsequential details, pop culture and brutal murder.

When his ultra-wealthy neighbor in the Hamptons builds an obnoxious mega-mansion next door, grumpy retired novelist Harry March concocts an elaborate scheme for revenge that is destined to go hilariously awry.