Ariadna Corzo
Editing
Biography
Ariadna Corzo (Caracas, 1996) is a director and film editor holding a degree in Audiovisual Arts with a specialization in Editing and Post-Production from UNEARTE. Driven by self-expression and the exploration of her inner emotional landscape, her work often weaves elements of magical realism into stories centered on deep personal transformation. Her extensive editing credits include the feature film "Qué buena broma, Bromelia" alongside acclaimed shorts such as "Última vez hace mucho tiempo", "Mixtape of Exile", and "Songs We Sing in the Dark". As a director, she previously helmed the animated short film "Sueño con ser libre", and her latest fiction short film, "Playa Los Cocos", offers an intimate exploration of friendship.
Known For
Locked in home during a blackout, mother and daughter argue in front of a candle flame. One holds on to the past, the other worries about the future. The melody of a song protects them from the shadows waiting in the dark, as they prepare to face an important decision that could change their lives.
Songs We Sing In The Dark
After his wife’s death, a man is interrogated by the State. Returning to a dystopic, totalitarian life, he weighs stifling his grief against leaving it all behind. A call leads an official to help him find his beloved.
Mañana Sí
Bromelia dreams of a love for the rest of her life, while sewing trousseaus in her mother's bridal shop. When Pedro finally arrives, the love he yearns for so much will bring forth captivating and unexpected experiences.
Qué buena broma, Bromelia
After accepting an invitation to the beach, Ana is confronted by the memory of her broken friendship with Alma. There, hidden mysteries lead her on a journey of emotional healing, acceptance, and reconnection.
Los Cocos Beach
In an inn located in a jungle region near Mene Grande, a traveler from other times relives the history of a city and its inhabitants; consumed by the oil rush that led to its downfall. The short film seeks to adapt the essence of Latin American magical realism to the cinematographic language, through a Venezuelan play written by César Rengifo.
The Towers and the Wind
Santiago, a young filmmaker, wanders around Caracas lost in a romantic reverie, longing for his girlfriend Carmela, who has left Venezuela. In this autobiographical portrait, Santiago Martín constructs a charming hybrid narrative between film shoots, friends and memories, an atmosphere of words and spaces evoking moments lived.