Michel Piccoli
Acting
Biography
Michel Jacques Daniel Piccoli was the son of Henri Piccoli, violinist and Marcelle Expert-Bezançon (1892-1990), pianist and daughter of the French industrialist and politician Charles Expert-Bezançon. In 1954, Michel Piccoli married actress Éléonore Hirt with whom he had a daughter, Anne-Cordélia Piccoli. In 1966, he married the singer Juliette Gréco, then in 1978 the screenwriter Ludivine Clerc, with whom he adopted two children of Polish origin, Inord and Missia. Placed in an establishment for problem children, the commitments of the young Piccoli, are made in opposition to his maternal grandfather, senator of the Third Republic, financier of the Radical Party, and important industrial painter, accused by the trade union left and by Georges Clemenceau, of having intoxicated his workmen through lead white which causes lead poisoning. Michel Piccoli then trained as an actor first with Andrée Bauer-Théraud and then during Simon. After an appearance as an extra in "Sortilèges" by Christian-Jaque in 1945, Michel Piccoli made his film debut in "Le Point Du Jour" by Louis Daquin. In the theater he distinguished himself with the Renaud-Barrault and Grenier-Hussot companies as well as at the Théâtre de Babylone. Noticed in the film "French Cancan" in 1954, he continued on stage and worked with directors Jacques Audiberti, Jean Vilar, Jean-Marie Serreau, Peter Brook, Luc Bondy, Patrice Chéreau and André Engel, and became also know in popular TV movies. Having become an atheist after a family bereavement, he met Luis Buñuel in 1956, and ironically took on the role of a priest in "La Mort En Ce Jardin". In 1959, he shot "Le Rendez-Vous De Noël", a short film by André Michel based on the short story by Malek Ouary "Le Noël Du Petit Cireur", in Algiers. The 1960s sounded his consecration, noticed in "Le Doulos" by Jean-Pierre Melville, he was revealed internationally with "Le Mépris" by Jean-Luc Godard alongside Brigitte Bardot. From then on, he toured with the greatest French and international filmmakers such as Alfred Hitchcock, Luis Buñuel, Youssef Chahine, Manoel de Oliveira... He began the 1980s with the interpretation prize at the Cannes festival in 1980, with "Le Saut Dans Le Vide" by Marco Bellocchio, and that of the Berlin festival in 1982, with "Une Étrange Affaire" by Pierre Granier-Deferre. . He worked with Jacques Doillon, Leos Carax, before trying his hand at directing. In 2001 he received the IX Europe Prize for Theatre. He was part of the jury of the 60th Cannes Film Festival in 2007, chaired by Stephen Frears. In 2011, he played in "Habemus Papam" by Nanni Moretti. The last film in which Michel Piccoli appears is the film "Le Goût Des Myrtilles", by Thomas de Thiers in 2013. Politically committed to the left, member of the Peace Movement (communist), Michel Piccoli distinguished himself by his positions against the National Front, and mobilized for Amnesty International. Michel Piccoli died on May 12, 2020 following a stroke in his mansion in Saint-Philbert-sur-Risle in Eure. His funeral takes place in Évreux on May 19, 2020, where he is cremated, his ashes are scattered within the family property.
Known For
No description available.
Champs-Elysées
No description available.
Vivement dimanche
Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.
Midi Première
Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.
Apostrophes
A long-running German-language entertainment television show based on the format of the British show You Bet! and the American show Wanna Bet?.
Wetten, dass..?
A talk show presented by Michel Drucker
Les Rendez-vous du dimanche
Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.
Spécial cinéma
No description available.
German Film Award
No description available.
Midi trente
No description available.
Nulle part ailleurs
No description available.
Samedi soir
V.I.P.-Schaukel is a 45 minute documentary-family-news-talk show starring Margret Dünser as Host. The series premiered on Sun May 09, 1971 on ZDF and Folge 37 - Final Show last aired on Fri May 09, 1980.
V.I.P. Schaukel
No description available.
Il était une fois Champs-Élysées
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Belle de Jour
Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.
To Each His Own Cinema
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.
That Obscure Object of Desire
No description available.
Treffpunkte
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.
Holy Motors
In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.
The Discreet Charm of the Bourgeoisie
In the seaside town of Rochefort, twin sisters Delphine and Solange dream of love and artistic fulfillment beyond their quiet lives. As sailors, artists, musicians, and chance visitors pass through town during a weekend fair, a web of near-misses and romantic longing brings ideal partners tantalizingly close—without their realizing it.