Kalyan Gupta

Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.

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Fourth Odia film in release and the first Odia film with an English title. First Odia film in Social / Drama genre.

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King Indradyumna completed a Temple at Puri, but cant find the living deity Nila Madhaba (Lord Jagannath). he send messengers in all directions to bring him the news about Lord Nila Madhaba. One Brahmin messenger Bidyapati comes across a Savara village in the dense forest and stays there as guest to the Savara King Biswabasu. Bidayapati gets the hearsay about Biswabasu, who, secretly keep the lord Nila Madhaba in a remote cave and worships. Bidyapati pretends to falls in love with Biswabasu's daughter Lalita and finally marry her. Lalita persuades her father to show her husband, the Lord. Biswabasu agrees and takes Bidyapati to the remote secrete cave. Bidyapati plans to take the deity to Puri, but the deity vanishes at last.