
Barkley Dubis
Directing
Biography
Paul Barkley-Zen Dubis (born September 23rd, 2005) is an American filmmaker, artist, comedian, composer, writer, and animator. His work is known for its extensive focus on the routines of aberrant subjects and characters, unstable documentary style cinematography, jump cuts, dark humor, and use of static noise.
Known For

A collection of vignettes about the struggles and fears of motherhood
Motherly Sexcapades
Compulsively embracing his brooding homosexuality, the Smiling Man walks the final circle.
I am Perfectly Normal: Part III
Denying his flourishing compulsive homosexuality, a forgotten celebrity confronts his incestuous obsession along the path of self-discovery.
I am Perfectly Normal Director's Cut

The Smiling Man descends into hell, and, trapped in the walls of his own homosexual longing, he must now confront his motherly obsession.
I am Perfectly Normal: Part II
Pseudo-realist improvisational docu-narrative about the day in the life of a group of teenagers.
Fully Loaded Gun: An Exquisite Corpse

A boy is thrown into the middle of an increasingly bizarre local disturbance.
Barkley Dubis' Danse Macabre

A forgotten faceless celebrity ascends into heaven along the path of self-discovery and through a land of faded memory.
I am Perfectly Normal: Part I

In this, queer re-interpretation of Jean Cocteau's timeless classic, an actor has a breakdown, pining for their love, locked in a green room before they are supposed to go onstage.
Jean Cocteau's The Human Voice

"Music makes life colorful. Music colorful makes life."
Tap Man

An unnamed takes a walk along the suburban pavements at night.
Promenade

Chronicles live and present experiences of students working in the film department at the San Diego School of Creative and Performing Arts.
Impure Thoughts in South Corona
A man's car breaks down and he finds himself in the grips of a killer priest.
Frates in Inferno

Blurred footage of a plane and fading overlays of the San Diego landscape intertwine with the writer's journey as he writes Lament I in the moment that it is presented, the film itself looping once his mind fails him.