Ondřej Novotný

Sara has come to terms with her position as a detached observer of other people's lives. She is fascinated when she meets the gallant, graceful, and soft-faced Martin. Gradually, their connection grows, but when Sara wants to take their relationship to a deeper and more physical level, Martin shies away. He is hiding a deep secret. Refusing to accept his unwillingness to open up to her, Sara compels him to expose himself, and when he finally does, it turns out he is intersex, a hermaphrodite. Sara’s love remains strong, but when she unintentionally reveals Martin’s secret to her family, she discovers that her joy at the relationship has blinded her to the reality of how society deals with “freaks.”

The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.