Acting
Ohganeku Michiko, who works in the planning sales department of a famous furniture maker, had a traumatic experience with her ex-boyfriend in the past. Being a railway otaku for 10 years, she uses her free time to visit train stations on local lines nationwide where she meets various people, enjoys the scenery and delicacies.
After closing the small factory he inherited from his father, Teru finds himself abandoned by his wife and child. Having lost his purpose in life, he scrapes by doing day labor when he reunites with Hiroshi, who remains as innocent as ever. Hiroshi, who runs a “trouble-shooting service” traveling from place to place, invites Teru to become his partner.
Ueno, a cool and serious member of the accounting department, and Kanda, a bright and sociable ace of the sales department, seem like complete opposites at first glance. However, no one knows that Kanda is actually close friends with Ueno, spending a lot of time at his house. Even after Kanda reveals he's gay, Ueno is left with mixed feelings as Kanda continues to approach him unguardedly. Meanwhile, Kanda has been feeling increasingly uneasy ever since Ueno declared to him in the past, "Nothing will ever happen between us." As they spend time together as friends, their presence in each other's lives gradually grows stronger…
A gender-swapped re-envisioning of the YoRHa Boys Ver.1.0. Created as a test case for female YoRHa models, F Squad resembles a school where new recruits train alongside senior androids until doubts about the purpose of YoRHa begin to spread.
Two con artists, Samejima (Yuki Tamaki) and Oshikiri (Osamu Soma), have secured a promise from Harue (Sanae Kaneko), the wife of a wealthy family, to buy her money. However, when they visit Harue, they find that a wake is being held. Harue Taki's property will be inherited by the last person remaining at the wake. When Tsuji (Yoshinori Ito), the executor's lawyer, read out the will, a deceptive game of deceit began among the four, including the grandchild, Sahi (Miru Nagase)!
Young people who were absorbed in the production of movies. As the bright and happy days are over, and as they progress toward adulthood, each of them begins to face their own lives.
A filmmaker gets into a dispute over the content of his film. This angers the chairman of a major company in the industry so much that the filmmaker is almost kicked out of the business. Stuck between a rock and a hard place, he is visited by an 18-year old girl. She brings 30 million yen in cash with her, and asks him to make a film.
Shun Miyata's new life in Tokyo takes a dark turn when he and coworker Yuka discover their boss Yuriko is involved in insurance fraud and murder. As they grapple with the betrayal, their bond deepens, contrasting youthful hope against a backdrop of adult corruption.
