
Alberto Alber
Directing
Biography
Alberto Alber (1999) is a Spanish visual artist and director whose work moves between film, photography, and sculpture. His practice focuses on the use of archives, material processes, and expanded languages as critical tools to explore memory, identity, and the body. He has directed short films and experimental audiovisual projects, as well as participated in exhibitions and interdisciplinary collaborations in Spain.
Known For

Maria is the new teacher who arrives at an old religious school. On her first day, she will have to teach a group of rebellious teens who are part of a punishment class. An unexpected event will turn the classroom into a real hell.
The Newcomer

This is a journey through memory, where the past and present converse, revealing how time shapes identity and relationships. In this intimate exploration, the film goes beyond the story of a wife to reflect on the power of images to preserve, reinterpret, and redefine our lives.
y Rosa

Gein Meats is a family business specializing in the production of blood sausages made with the menstruation of kidnapped women. Everything runs smoothly in the company until love arises between the kidnapper and the kidnapped. From then on, they must find a way to escape both the horrors of the meat-processing business and the macabre Gein family.
MORCILLAS CRUDAS

Three young friends transport an unknown charge to make some money, but their car breaks down in the middle of their worst nightmares. It is then that they will have to fight for their lives, fight not to become food for a monster that hides in the shadows and feeds on blood.
LA ANFITRIONA

In a cold January evening, Caraoscura wanders around the streets of a secluded village. Little Carla awakes scared. Lucas, her older brother, tries to calm her and convince her that Caraoscura isn't real, but little did they know that the story conceals a a reality so terrifying that they never imagined before.
Darkface

Margot will suffer the consequences of a series of extreme situations where she decides not to intervene.
MARGOT

Between misfortune and apathy, Ramón decides whether his destiny is redemption or condemnation.