William Fowler

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.

Fifty years after The Wicker Man (1973), director Robin Hardy’s lost papers resurface, prompting his sons Justin and Dominic to explore the legacy of the cult classic—and their father. For Justin, the film represents personal loss; for Dominic, a distant cultural phenomenon. Together, they uncover the truth behind Robin’s role in the film and confront the complexities of independent filmmaking, family, and myth.