Production
After finding the soundtrack of Tararira, the only Argentine surrealist film shot in 1936, lost since then, and starring their great-grand uncles, the Aguilar brothers set out to unravel the family history at the crossroads of the great political events of the 20th century. It is also a story of El Cuarteto Aguilar, a very particular music band, which had an openly lesbian member in the first half of the last century. The discovery of the soundtrack of the lost film leads to a documentary collage that travels through Argentina, Spain and other parts of the world to ask again, one hundred years later, if perhaps the revolution is not also an aesthetic.
The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.
After more than a decade living abroad, the director returns to Argentina to mourn the passing of his father, renowned artist Jorge Demirjian. As he dismantles his father's studio of over 2,000 artworks, old family wounds are triggered.
The mouflon, wild sheep with beautiful curved antlers, were brought to the island as an attraction. Nevertheless, they should not be admired but killed – to add variety to the pursuit of game or control the species numbers on the island. One animal becomes separated from the herd – will it manage to survive? Based on real events, the animation combines the symbolic images of the animal’s escape with the drastic photographs documenting the harm done to the species in Tenerife. The atmosphere of fear and anxiety is achieved by means of pulsating music and black and white colours.
