Louis Becker

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

Stephen, an international trader, tracks down his ex-wife Patricia in some Amazonian backwater. He needs her consent to a divorce so that he can marry Charlotte. Unfortunately, he discovers a son he didn’t know he had – Mimi-Siku. The young jungle boy yearns to see Paris so Stephen reluctantly agrees to take him back home with him for a few days. How will Mimi-Siku react to life in the great metropolis?

Uptight New York City executive, Michael Cromwell, pursues his soon-to-be ex-wife to South America and returns home with the son he never knew he had—a boy raised in a tribal village in Brazil. Armed with only his blowgun, the 13-year-old Mimi-Siku discovers that the world outside his jungle home is indeed a strange place.

An illiterate and lonely man bonds with an older and well-read woman.

Based upon the novel by Vladimir Nabokov, a chess grandmaster travels to Italy in the 1920s to play in a tournament and falls in love.

After an accident, Pierre, a sixty years old grumpy man, ends up stuck on an hospital bed with a cast. While Pierre dreams of silence and solitude with his strong character, the whole world seems to invite himself to his hospital bed. Powerless, he has to support the daily visits of doctors,nurse and hospital staff then his closes including his brother Herve. Visits after visits, funny or touching, Pierre starts to reconsider some people and reexamine his environment. And after all, his stay becomes a second chance ...

This series of sketches introduces doctor Apfelglück and four of his patients... and their rather peculiar and disturbing problems.

Marie leaves home to study the piano at the conservatory in Lyons. Through lack of money, she is obliged to share an apartment with Emma, a friend of the family who has lived alone since the death of her father. The two young women develop a strange fascination for one another, which soon develops into an intense mutual need...

A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.

Lucien, 14, can’t understand why his father, a serious and respected teacher, makes a fool of himself by dressing up as a clown and giving a show. André, Lucien’s father’s best friend, feels for the teenager and decides to reveal something from their mutual past that will explain the reason for Lucien’s father’s strange behavior.

In 1919, in a small town under the crushing heat of summer, a war hero is held prisoner in an abandoned barracks. Outside, his mangy dog barks night and day. Not far off in the countryside, an extraordinarily intelligent young woman works the land, waiting and hoping. A judge whose principles have been sorely shaken by the war is coming to sort out this case of which it is better not to speak.

Antoine Méliot is around 40 years old and has everything he needs to be happy: a beautiful wife, two adorable children, friends he can count on, a pretty house in the Yvelines and money. But one day he decides to ruin everything in one weekend.

Despite his fame, Taillandier has suddenly stopped painting. Deeply depressed, the sixty-year-old decides to go away. He has no clear goal and explains nothing to his close friends. During his travels, he has a strange encounter with Marylou, a wild teenager who was rejected by her mother. The lost girl and the man at the end of his tether will travel together awhile. Finally living like a father and daughter, at peace.

When he finds out that his wife is cheating, Antoine walks out on his family. His one regret is that he can only see his children every other Sunday.

Eleven-year-old Martin is a basically good boy. Unfortunately each time he decides to give a hand things end in disaster. This summer, he has been invited to spend a vacation at the Hotel Nautilus by his friend Vincent's parents. This is a great place for kids with its cabin hidden among the branches of a tree they call the "baobab". But this year a holiday camp is being built nearby...

The premise of four young men out to celebrate the end of their school exams has great promise as comedy material, a promise that is far from realized in this banal, unevenly paced, run-of-the-mill attempt at a supposedly funny story.

French war ship is arriving to Polynesian shore during at 1918 - and adventures begin...

A quasi-musical-comedy which descends into horror, set in the early sixties in a college on the outskirts of West Philadelphia. For 15 years, the graduation ball has been the preserve of the Foons - those teenagers who are immersed in weird notions of fun and who describe themselves as "cool". As they prepare for the graduation ball, it is decided to open up invitations to the nerd underdogs. The eternal rivalry between the cool kids and the nerds is played out with colourful costumes and kooky hairdos.

Two friends organize a fake solidarity concert in order to seize the recipe. But their amateurism leads to many misunderstandings.

"In this film you will see a woman's handkerchief tied around a man's wrist, a well-shaven pig's head, some adolescents who are more inventive than their elders in struggling against oppression... You will not, however, hear any dialog. Words do not prepare, do not accompany, do not comment upon the action. This is not a silent film, but a film in which the only moment of life retained for the cinematographic spectacle are those where people do not speak. The spectator will find, perhaps, a greater freedom of interpretation in it and, we hope, a particular pleasure in this." (Alain Cavalier)