Acting
An array of outrageous people, including a desperate nymphomaniac and a terrorist with an acute sense of smell, seek love and happiness in Madrid.
A saleswoman gets involved in a meaningless conversation between a military man and a film director.
After her drug pusher boyfriend overdoses on heroin, a cabaret singer finds refuge from the authorities in a convent for fallen women.
A woman looks out of a window.
After a young heiress is assaulted by a policeman, she seeks revenge by befriending the policeman’s mousy wife and introducing her to her circle of outrageous punk friends.
Don Luis is the owner of an industry and all his family work in it, allowing he to become a staunch patriarch.
Persecuted by her controlling ex-husband, Rosa plots an escape
A woman living in a small town discovers after fifty years that she is actually a man. Will she change her sex and suffer the reaction of a narrow-minded society?
No description available.
Spain, 1977. The first general elections are about to take place after the long dictatorship and the progressive environment of Madrid is easily palpable. Protagonists, Carmen and Juan were once married and now living separately, both have a child. It's one of the only reasons they maintain cordial to one another. Their separation, the political context and the contradictions of the progressives of the time will not defeat the affinity between the two.
Antonio and Teresa are a couple who live in a flat in San Sebastian. Ursula Michelena, an elderly woman over 70 years old, lives on the top floor. Ursula is secretly in love with Antonio, whom he continually spies from one of the windows of her house. One night she sees Antonio and Teresa making love and that fact excites her violently, in such a way that she asks Antonio for a secret appointment and tells her that she is pregnant and that the son she is waiting for is his. Úrsula, according to her version, has become pregnant looking at Antonio and Teresa making love.
The abusive professional relationship between Luis, an intransigent painter, and Ágata, his traumatized model, takes an unexpected turn when she finds a mysterious self-portrait of him…
Manuel and Clemente, couple in the shower and in various scheming, try to do business with miraculous apparitions. Near the Sevillian town of El Palmar de Troya, in 1968, people begin to say that the Virgin appears and the two friends take advantage of the situation. Soon a network of economic interests and credulity is created that makes it easier for Manuel and Clemente to achieve their goal: a monumental basilica, a religious order of nuns, priests and bishops of their own, and even a pope, Gregory XVII. Satire on the curious origin of the Palmarian Catholic Church and its unique founders.
Two very young women live in a country house in the midst of war. The older of the two is the active one, the one who dominates and controls everything that happens in the house. The younger woman is the victim, dominated by the bombings and her companion's mentality, which forces her to maintain impeccable, unhealthy behavior. This conflict between the two is narrated by a voiceover—that of the younger woman—who, now at a distance, reflects on that period of her life.
A group of friends finds a dilapidated place and decide to repair it, paint it and live in it in communal plan. The problem is the bank, owner of the premises, does not want them occupied so they threaten to call the police to evict them.
